
Window Horses (The Poetic Persian Epiphany of Rosie Ming).
30 September 2016 6:15 PMVIFF at Vancouver Playhouse
Buy03 October 2016 3:45 PMVIFF at International Village 9
Ann Marie Fleming, one of Canada’s most beloved animators, is back with an extraordinary tale of art, history, and family.
Sandra Oh, Ellen Page and Don McKellar lend their voices to this warm and witty animated feature by Ann Marie Fleming (The Magical Life of Long Tack Sam) with narration by Mehdi Darvish.
Ann Marie Fleming’s Window Horses is a beautifully narrated and colourfully animated story of a young girl’s journey toward self-discovery. After being invited to a poetry festival in Shiraz, Iran, by a mysterious figure, Rosie Ming faces challenges and discoveries that ultimately lead to her self-realization. Unaware of the reasons behind her father’s disappearance, she has her perspective and conscience awakened by her experiences and the information she uncovers.
The first feature-length animation from the NFB to be selected for the festival since Pierre Hébert’s La plante humaine, the film features a rich colour palette sure to tantalize the audience. At times, it gives way to guest-animated sequences in which poetic illustration and artistic expression convey the spiritedness of living freely. Window Horses uses poetry, music and illustration to celebrate the value of accepting cultures, opening one’s mind and tapping into unknown aspects of the self as a form of self-transformation and spiritual transcendence.
“This is not just a visual treat, it’s a rewarding and unexpectedly engrossing piece of female-led storytelling.”—Wendy Ide, Screen.
The film seamlessly integrates different animation styles to express Rosie’s diverse experiences; the richness of this world is presented for the audience to marvel at with the same wide-eyed wonder as Rosie. One of the most magical things about Window Horses is how a single sentence, an idea, or a scrap of history can come to life in the most colourful and graceful of ways, flowering into a poetic universe all its own.
WEBSITE:
http://windowhorses.com/
http://behindthecurtains.windowhorses.com/
TRAILER:
https://vimeo.com/155891239
FACEBOOK:
https://www.facebook.com/windowhorses/?ref=ts
REVIEW FROM TIFF:
http://www.rogerebert.com/festivals-and-awards/tiff-2016-aquarius-the-salesman-window-horses

The Unseen director Geoff Redknap breaks the mould for a unique take on the invisible man story.
Drawing inspiration from both H.G. Wells and macabre headlines, Geoff Redknap’s audacious debut is a narratively rich and psychologically complex thriller.
“[An] extraordinary feature film debut… The Unseen is the best of its kind to come along since Unbreakable. I do not offer this praise frivolously, as the execution is so startlingly confident here… Undoubtedly, it is a sure sign of many more great things to come.”—Kurt Halfyard, Screen Anarchy.

Parker Brando wraps on Arrow – Episode 508
There will be a crossover between Supergirl, The Flash, Arrow and DC’s Legends of Tomorrow in December 2016, with one episode from each series acting as a chapter in a four-part story. The plot for the crossover will be an adaptation of DC Comics’ “Invasion!” story event from the late 1980s. In keeping with the source material, the villains of the television event will be an alien race known as the Dominators.
Claire Cohen wraps role on Lifetime TV feature Popstar.

Keep an eye out for Eric Gibson on Lucifer – Episode 205
Lucifer’s grand conceit is that, far from the embodiment of evil, Satan is merely a misunderstood rebel fed up with presiding over hell and keen to try something more interesting.
Chance Hurstfield is busy shooting the Hallmark MOW “Christmas List” (aka Christmas Bucket List).
Aiden Longworth in Disney short film “Trunk“, written and co-directed by Zach Lipovsky and Adam Stein.


Alice Adams sits alone in a small-town American diner at lunchtime circa 1960, which suddenly begins to buzz when two strangers enter that stick out even worse than she does. Two young African-Americans, Mary and Ray, take a seat at the whites-only counter, asking to be served with simplicity and courtesy. Alice witnesses the racism they immediately encounter, and in turn she’s presented with an opportunity that will change her life forever: Alice decides to support the cause, joining Mary and Ray for the “sit-in” protest. But when tensions begin to boil in the diner, will Alice’s good intentions be enough to protect the integrity of the non-violent protest started by Mary and Ray?